The technique - and this movie is about nothing if not technique, both Crane's and the filmmaker's - isn't particularly successful.. It's a pensive and heartfelt movie, assuming that you let yourself get caught up in its moody-minimalist, more-visual-than-verbal style.. Not a heady experience like many of the semi-experimental 1960s films he emulates. Instead, it's mostly a tedious chore, much akin to listening poetry you don't much like.. You should be prepared for some high-minded pretension, ...
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