Grand and undersized, truncated and overlong, The Last Samurai reminds us just enough of what epics used to be to disappoint.. Little happens for much of Marie Antoinette, but Coppola is a visual storyteller, and with her first big canvas she creates a giddy world at Versailles in color and light.. . The movie ends as it started, with Marie in a carriage, unaware of the fate we know awaits her. It's the last in a long line of things the movie neither shows or tells us.. Although it is purposely ...
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